MASTER MASSIVE - reveal new single and video "Nexus Noir"
Архив новостей | Русская версия
In July, Swedish epic metal act MASTER MASSIVE released their new studio album „White Shadows“, a pure and heavy metal gem, that unites traditional metal with progressive and doom elements.
Today, MASTER MASSIVE release their new single "Nexus Noir". A track, demonstrating the darker side of the band. The song was also featured as a bonus track of the CD version of "White Shadows". Watch the video here.
"This song was the first one we completed for the album. Unlike the other songs on „White Shadows“, which were very much slow burners that took a long time to come together, the components, structure, and ideas for “Nexus Noir” fell into place almost instantly", states guitarist and band founder Jan Strandh and continues: "The song is built around a couple of riffs inspired by death metal, that can be heard in the intro and the outro. The intro bass riff is an arrangement by Max based on the outro riff while the rest of it is driven by a laid-back 6/8 groove that might bring old Manowar to mind. The exception is the middle section, which Max wanted to be more intense, so we doubled the tempo there. This gave Johan the opportunity to unleash his relentless intensity, while Tony gets to showcase his virtuosic vocal abilities. “Nexus Noir” explores what happens when someone is pushed beyond the limits of human endurance, driven to the brink of madness by a world that has shown them nothing but cruelty. But this is not merely a story of descent into darkness. It is the story of what rises from the ashes when everything has been taken away. The birth of a madman. The awakening of an avenger. The „Nexus Noir“ video is a tribute to Halloween and True Metal. It’s really fulfilling to see “Nexus Noir” now being released digitally as a single and a music video!"
MASTER MASSIVE was originally founded in the early 90s by guitar wizard Jan Strandh, who created the band out of the ashes of his predecessors ZANITY and ACT. With this new album, the band also decided to move forward with the three-vocalist concept, including Tony Niva (ex-LION'S SHARE, ZANITY), Viktor Gustafsson (LETHAL STEEL), and Marcus “Masken” Karlsson, who sang on the previous release "Black Feathers On Their Graves". On top, Anders Ericson (ex-BEYOND TWILIGHT) will continue as their live guitarist. „When the album was fully composed, I came to realize that it had become very dynamic and that it would be extremely demanding for a singer to deliver all the different falsettos I had in mind“, explains Jan Strandh. „Masken was already on board, and we met regularly to go through the vocal parts. It was actually him, who mentioned that Tony would suit certain sections. I contacted Tony, and it turned out he was eager to give it a try. Max then played me the singer Viktor Gustafsson, who had just moved to Skövde. I thought he had an interesting timbre and a powerful, beefy vibrato. We got in touch with him, and he said yes. Now we had three singers who could do different things: Tony, who always gets the most difficult and highest parts - immensely musical and virtuosic. Masken, with his convincing, powerful, and massive distorto - extremely good with lyrics. And Viktor, who turned out to be a total dark horse, able to sing in a witchy, almost ugly way and then switch to singing beautifully and emotionally. All three singers have agreed to join the band. We’re from different generations, we have different preferences, but what we share is a pounding heart for heavy metal.“
The sound of MASTER MASSIVE is unique. You can hear MERCYFUL FATE, but also CANDLEMASS and early FATES WARNING and QUEENSRYCHE. „I’ve listened a lot to those bands, especially Mercyful Fate („Melissa“ and „Don’t Break The Oath“), and later also Fates Warning („Awaken The Guardian“). Originally, I come from the symphonic rock tradition, with bands like Queen, Genesis, Jethro Tull, and Black Sabbath. My playing style comes exclusively from the guitarists in these bands. The palm muting so characteristic of heavy metal, I got from Martin Barre of Jethro Tull, the vibrato from Brian May of Queen, the melodies from Steve Hackett of Genesis, and the riffs from Tony Iommi of Black Sabbath. I had a fondness for the slightly heavier songs, so when punk arrived and, a little later, the NWOBHM, there was no doubt about what kind of music I wanted to make.“
There is a lot to discover in „White Shadows“. It is an album that is timeless, that needs full attention and will once in the future be named along with many classics. „We had big ambitions for the album. We decided that there shouldn’t be a single weak song or meaningless note. Even so, it surpassed our expectations. One of the feelings we wanted to capture in our sound was a natural groove, the kind you hear in older artists and in classical music. To achieve this, we chose to make a record entirely without a click track. Johan was the perfect drummer for the challenge, and once everyone who plays and sings on the album had added their parts, the result became far more fluid, alive, and dynamic than we could have imagined.“
