TRIVIUM Announces New Album 'Crown In The Grave', Shares Title Track
Архив новостей | Русская версия
Grammy-nominated heavyweights TRIVIUM — vocalist/guitarist Matthew K. Heafy; guitarist Corey Beaulieu; bassist Paolo Gregoletto; and drummer Alex Rüdinger — have announced their new album "Crown In The Grave". It arrives November 20 through Roadrunner Records.
TRIVIUM has shared the "Crown In The Grave" title track, which builds from a gradual progression of layered riffs into an explosive wall of metal, pairing crushing heaviness with the precision, melody, and technical firepower that have defined the band for more than two decades. The song is vintage TRIVIUM — galloping riffs, robust solos, and battering ram percussion, seamlessly sewn together with three-tiered vocals. But like the rest of the album, it stays true to the band's signature sound, all the while pushing it further into new sonic terrain.
The accompanying, Japanese Noh theater-inspired, post-apocalyptic music video brings the album's artwork and themes into a smoke-filled dojo, where the main characters prepare for an impending showdown through a series of tense, atmospheric sequences. Drawing on the band's longtime passion for classic Japanese theater and martial arts, the visual captures the discipline, drama, and focused physicality at the heart of the song's storytelling.
Watch the video, directed by Pavel Trebukhin, here.
"'Crown In The Grave' is our eleventh record, and when you get this far into a career, it's easy to rest on what you've already done — or to reinvent yourself just for the sake of it," says Gregoletto. "With this record, we wanted to find the space between those two things: Take everything we've learned and everything that makes TRIVIUM what it is, but present it in ways we hadn't before."
He continues: "We also wanted the record to exist within its own world. That began with the title track, inspired by Akira Kurosawa's 'Throne Of Blood', and led us deeper into Japanese horror and cinema from the '50s, '60s, and '70s. That influence grew into this darker, ghostly atmosphere that became a set of guardrails for the music, lyrics, artwork, and overall identity of the record."
The bassist finishes: "We built our studio so we could give ourselves the time and space to figure out exactly what an eleventh TRIVIUM record should be, and 'Crown In The Grave' is the answer we arrived at. It honors where we've been without living in the past, and pushes into new territory without abandoning what makes us TRIVIUM. I think when you hear it, it'll somehow feel both new and like a return."
For the first time, the group crafted "Crown In The Grave" in their own creative hub and de facto clubhouse — The Hangar — in Orlando. Plus, they officially welcomed drummer Alex Rüdinger (Rüdi) in the studio. During 2015, the drummer nearly joined TRIVIUM, but opted to focus on other endeavors. A decade later, he heeded the call. "It happened when it was meant to," Heafy declares. "Rüdi didn't just kill it on the drums; his contributions as a writer made a huge difference."
Reteaming with longtime producer Josh Wilbur (KORN, LAMB OF GOD) and working with mixer Jacob Hansen (VOLBEAT, AMON AMARTH) for the first time, the musicians rallied around a shared vision.
"We took all of the elements of TRIVIUM, honed in on them, and focused on writing songs with big riffs and big hooks," notes Beaulieu. "We made the record we'd been dying to make. The late great Shaun Glass [SOIL] was a big TRIVIUM fan. He'd always say, "You guys don't cook the same meal.' Even though we use the same ingredients, we always make a new dish."
"Any band who has been around this long starts to ask: Where do we go from here?" says Gregoletto. "We decided to challenge ourselves to top everything we've done. We referenced a lot of '90s albums. If you look at The Black Album by METALLICA, 'Countdown To Extinction' by MEGADETH or 'Superunknown' by SOUNDGARDEN, the choruses are so important, and the songs are relatable. That's what we strived for."
Thematically, Akira Kurosawa's "Throne Of Blood" served as a north star. Gregoletto brought the film to the group's attention.
"Kurosawa took Macbeth and set it in a feudal Japan," the bassist elaborates. "There's minimal dialogue, yet the storyline is powerful. There are these haunting elements of being tempted by fate and this man's downfall."
"Crown In The Grave" track listing:
01. Jorōgumo
02. Crown In The Grave
03. Dead Inside Of Me
04. The Terror
05. The Haunting Never Ends
06. Lie Of It All
07. Blackout The Dawn
08. Paradise Of Sinners
09. Death Throes
10. The Agony
11. Devour Your Dreams
12. Serpent In The Flame
TRIVIUM will hit the road on November 5 in St. Petersburg, Florida and run through December 19 in Charlotte, North Carolina for a North American headline run, with IN FLAMES, ORBIT CULTURE, FIT FOR AN AUTOPSY and FROZEN SOUL in tow.
"This fall's TRIVIUM tour is a huge one for us," the band declared upon announcing the tour earlier this year. "The lineup is stacked from top to bottom, and we're honored to have special guests IN FLAMES, who not only influenced our early years but continue to prove time and again why they're one of the greatest metal bands of all time. With ORBIT CULTURE, FIT FOR AN AUTOPSY and FROZEN SOUL rounding out the bill, we can't wait to get out there, kick off this next era of TRIVIUM with Rudi behind the kit, and give you a taste of the new music we've been working on. We'll see you soon!"
TRIVIUM's critically acclaimed tenth album "In The Court Of The Dragon" arrived in 2021.
(Source: www.blabbermouth.net)
