Extreme metal trailblazers SOULFLY will deliver their tribally fueled thirteenth album, "Chama", on October 24 via Nuclear Blast Records.
Today, SOULFLY offers fans the first taste from the album in the form of the lead single "Storm The Gates". A battle cry against control and greed, the track summons ancestral strength and unites the tribe in rebellion — heavy, primal, and unapologetically relentless. The lyric video, which was created by Costin Chioreanu, can be seen here.
SOULFLY frontman Max Cavalera comments: "Chama is the Brazilian word for flame. It also means a 'calling'. Respect to Alex Pereira for using 'Itsari' on his UFC walkouts.
"'Chama' is inspired by the energy of this moment. This record is the sound of SOULFLY's fire! I cannot wait to play these songs live for the Tribe! Chama!"
SOULFLY drummer Zyon Cavalera, who co-produced "Chama", states: "With each SOULFLY record I've played on, I can feel my evolution happening in real time. This record was no different as I got to handle a good amount of the production for the first time. Trying to take the band to places we have never been before was a blast and I look forward to more production work in the future!"
"Chama" track listing:
01. Indigenous Inquisition
02. Storm The Gates
03. Nihilist
04. No Pain = No Power
05. Ghenna
06. Black Hole Scum
07. Favela / Dystopia
08. Always Was, Always Will Be...
09. Soulfly XIII
10. Chama
"Chama" was recorded at the Platinum Underground Studio in Mesa, Arizona by John Aquilino. John has worked with Max and company multiple times before and is not only a talented engineer but a family friend. The album was produced by Zyon Cavalera and Arthur Rizk. The latter was also responsible for the mixing and mastering. Rizk has not only worked with the Cavalera family numerous times before, but has also helped to shape the world of heavy metal in the modern day. SOULFLY enlisted Carletta Parrish to create the album artwork. For the album, Igor Amadeus Cavalera (GO AHEAD & DIE, NAILBOMB, HEALING MAGIC) played bass and Mike De Leon played guitar. The album also features Dino Cazares (FEAR FACTORY) on one of the tracks.
SOULFLY played "Favela / Dystopia" live for the first time on July 8 at Maimunarnika in Sofia, Bulgaria.
In a recent interview with MetalUnderground.com, Max stated about the musical direction of the new SOULFLY material: "The record, it's cool. It feels to me [like it] has the adventurous spirit of the first record [1998's 'Soulfly']. Sonically, it's pretty different from the first record — it's more intricate and maybe even heavier, heavier grooves. But in terms of spirit and attitude, it's similar to the first record, which I think is cool that I got to figure out a way to put my mind back at that time and what made me create that record and use it again on a new record. It's pretty fun. It's kind of hard to do, but I think it was an exciting thing to tackle. It was kind of, like, 'Let's try to do this. Let's see if you can use your first album as somehow some kind of inspiration for your thirteenth record. [Laughs] And that was great, man. I love that. I love that kind of vibe that the record has."
This past May, SOULFLY recruited Chase Bryant (WARBRINGER) to play bass on the band's European tour, which kicked off on June 7 at the South Of Heaven festival in Maastricht, Netherlands.
A month earlier, SOULFLY parted ways with the band's longtime bassist Mike Leon.
Leon, formerly of HAVOK, joined SOULFLY in September 2015 as the replacement for STATIC-X bassist Tony Campos, who left SOULFLY in May of that year.
"Totem" came out in August 2022 via Nuclear Blast. The follow-up to 2018's "Ritual" was recorded at Platinum Underground in Mesa, Arizona by John Aquilino and Arthur Rizk with assistance from John Powers. Produced by Max Cavalera alongside Arthur Rizk (KREATOR, MUNICIPAL WASTE, CODE ORANGE),the LP boasts guest appearances from John Powers (ETERNAL CHAMPION),Chris Ulsh (POWER TRIP),and John Tardy (OBITUARY). Rizk was also responsible for playing lead guitar on the record. The artwork for the album was created by James Bousema.
(Source: www.blabbermouth.net)