DOKKEN Announces 'Heaven Comes Down' Album Details, Shares Music Video For 'Fugitive' Single
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Legendary American rockers DOKKEN will release their 13th studio album, "Heaven Comes Down", on October 27 via Silver Lining Music. The follow-up to 2012's "Broken Bones" was produced by Bill Palmer and Don Dokken and was mixed by Kevin Shirley (AEROSMITH, IRON MAIDEN).
Comments Don: "The long anticipated new DOKKEN album, 'Heaven Comes Down', is finally done and the first single is titled 'Fugitive'. The inspiration for the lyrics came from what seems to me to be an uncertain world these days. It's an up-tempo Rokker as are many on the album. I don't know what the future holds for our world, so I decided to take a step back and watch it all unfold… Yes, I guess I've become like many these days a fugitive from life. Hence the title!"
He continues: "The song rocks and the lyrics are self-explanatory. Like many songs I've written, it came to me late at night. Inspiration and pure stream of consciousness have always been the best formula for me when composing. It has that classic DOKKEN sound… A great song to blast when driving down the highway."
The "Fugitive" video was directed by Chris Eyre ("Dark Winds", "Smoke Signals") and was filmed at the popular immersive arts venture Meow Wolf in Santa Fe, New Mexico.
Working with Palmer over the course of a year at his studio in Santa Fe, the DOKKEN flavors remain as potent as ever, yet they're also sprinkled with some desert seasoning which gives "Heaven Comes Down" a richness hitherto unseen on a DOKKEN album.
You want to rock? Sink your teeth into "Fugitive", which rides some shimmering guitar work courtesy of 20-plus-year member Jon Levin, and if you want ballads, head on over to "I'll Never Give Up", hanging on that Coliseum chorus, Levin laying down a landmark solo. The pattern of "Heaven Comes Down" never falters in delivering the goods on both sides of the fence. "Just Like A Rose" brings the Pacific Coast Highway to desert plains with its smooth, effortlessly-driven gears, and "Saving Grace" carries a mystical malevolence. But "Santa Fe" is perhaps the most revealing with Don Dokken opening up with what amounts to a "life-moment biography": a spartan acoustic arrangement allowing the rich yet road-driven vocals to frame what might well prove to be the defining moment of DOKKEN's career.
Don Dokken makes one thing abundantly clear: he is excited about his new record and the future, and wholly uninterested in revisiting a DOKKEN past which has centered too much on the off-stage and out-of-studio swirl.
"I'm so tired of hearing about the fighting and the 'this' and 'that'… this is about a new record," he declares, "a new record with my new band. It's been a long process, but at the end of the day, I think we have lightning in a bottle."
"Heaven Comes Down" will be released on CD digipak, 12-inch vinyl album in black and color variants, digital formats and special D2C products and bundles.
Track listing:
01. Fugitive
02. Gypsy
03. Is It Me Or You?
04. Just Like A Rose
05. I'll Never Give Up
06. Saving Grace
07. Over The Mountain
08. I Remember
09. Lost In You
10. Santa Fe
According to Don, 15 songs were recorded for "Heaven Comes Down", with the original plan to include all of them on the LP.
"When I write records, I don't just think, 'Okay, we need 10 songs or 11.' I always write 20 per album, and then you pick the best," he explained to Tulsa Music Stream. "And sometimes you write a song, and I'm thinking, 'Oh, this is great.' And it's a good thing I owned a recording studio in L.A., so it didn't cost me anything. And I'd write and write and write. And I'd get it done, and I'd go, 'Eh… It's okay.' So you get an idea and you think it's gonna go, and all of a sudden it just didn't pay out.
"I'm very proud of the record, but then I gave it to the label… I had only written three songs in the past that never made it, and it was me playing guitar," he said. "And I wanted those on the record, because now I'm crippled, I can't play guitar anymore. I said, 'At least put those on the album,' my last hurrah. And they took 'em off. And I never heard… Most record companies, they want 15 songs or 16 songs, like METALLICA albums. And he goes, 'We can only put 10.' I go, 'But that was the old days of vinyl.' You could only put — I can't remember; I think it's 40 minutes a side or something like that. So I said, 'But these are good songs. I want 'em on the record.' Why would you wanna take off four good songs? And they said, 'Well, maybe we'll put like a bonus album out down the road and add 'em.' … Anyway, he just said, 'We want 10 songs on the record, 10 songs on the CD. We're ditching four of 'em.' And they happened to pick the ones that I was playing the guitar on and Jon [Levin, DOKKEN guitarist] was playing solos. And I think they didn't like 'em… What did my record company president say? 'They're too grungy.' And I went, 'Grungy? Well, they're old.' But it wasn't like they were grungy; they were just dark. I was probably going through a dark phase, and he didn't want any dark songs on the record; he just wanted that classic DOKKEN [sound with] tons of harmonies, uptemp… yada yada yada."
One of the songs on "Heaven Comes Down" is the aforementioned "Santa Fe", which was written about Don's adopted hometown.
"People are always asking me how I ended up here," Dokken said. "And I told the story to my engineer and producer Bill Palmer. So I literally wrote a song called 'Santa Fe', and it's four minutes and 15 seconds, 'From the day I was born in L.A., I never wanted to leave. I had a lot of jobs. I hung out on Sunset Boulevard. I traveled around the world, was always missing home.' And I was telling him this, and he was recording it on a microphone. And I told him my story, and I went, 'Huh. I can make a song out of this.' So I did… And it's a really cool bastard song. It's not a rock song. It's not country. I can't put my finger on it."
Regarding the experience of working with Shirley for the first time, Don said: "Kevin Shirley is an amazing engineer. When he first started mixing the record, I was really disappointed. He gave me the first song and I went, 'This sounds like '80s.' And he goes, 'Well, I thought that's what you were going for.' And I said, 'That ship has sailed, man. I want a modern record — punchy, aggressive, in your face. I don't want a bunch of reverb, I don't want a bunch of echo. I don't want a bunch of production — just harmonies I want still.' So he goes, 'Oh, okay, I get it.' I said, 'Look, I just heard the IRON MAIDEN album. That thing kicks ass. Just go that direction.' So he did."
(Source: www.blabbermouth.net)
